Creativity is Dead, Long Live Curation

“Artists, architects, and furniture designers have always been part of Acne Studios’ DNA,” says Dan Thawley, Editor-in-Chief at A Magazine Curated By, a fashion publication which has worked with some of the world’s most innovative fashion designers – including Martin Margiela, Kim Jones, and Thom Browne – as guest curators. When Thawley originally pitched his idea to create a magazine titled 'Floragatan 13 Curated by Acne Studios' (Floragatan 13 being the address of Acne Studios’ new headquarters, situated in the former Embassy of the Czech Republic) to Acne Studios in 2019, Thawley was inspired by the strong physical presence that Acne Studios always had, as well as the opportunity for a deep editorial dive into the brand’s beliefs, ethos and curated aesthetics.

The partnership is simply one example of a shift towards curation as a preferential strategy for modern brands to differentiate themselves, gain relevance, build equity and ensure longevity. With a good reason: the aesthetic world and the narrative that curation creates is much harder to replicate than a brand’s visual handwriting and a tone of voice. For Acne Studios, a curatorial point of view lives as a store experience; a carefully chosen influencers and friends of the brand and what architects and interior designers the brand collaborates with. It also lives as a company headquarters, as the mood it creates in its stores, as a piece of furniture, or now as an issue of a magazine. The variations are endless, and that’s precisely the point. You can read the rest of the article here.